The warrior.
Through blood and steel, Bluebell has forged a reputation as an unkillable soldier. The eldest of the five princesses, she is fiercely protective of her family, unashamedly bloodthirsty in battle, and is ruthless in her decision-making. Pragmatic though she may be, though, Bluebell is not heartless.
Nothing is more important to her than peace in the land she will one day inherit, with the possible exception of her father’s health. When she discovers that the King has been poisoned with elf magic, she will stop at nothing to find the cure – and the person who cursed him.
The magician.
For years, Ash has lived the academic life. Her elders tell her that the second sight she experiences cannot have manifested in one as young as she, but the truth is that she is plagued with unearthly visitations all the time. Ash abandons her studies without a second thought when she receives a sending from Bluebell, asking her to join her on journey back to their father’s kingdom. As the King’s condition is made clear, Ash realizes that the answer to his recovery may lie in the dark world of undermagic – and she may have to lead her sisters to its heart.
The lover.
Rose was married to King Wengest as a peace offering brokered by Bluebell for the good of the kingdom. Her life with him is not uncomfortable, but Rose pines unendingly for Heath, the lover she can no longer be with. Her daughter Rowan brings her some happiness, but the possibility of Wengest discovering her true parentage is always looming.
It is Heath himself who accompanies Rose and little Rowan back to Aelmesse. On the road together, and even in the larger convoy with Bluebell and her other sisters, Rose cannot deny herself the pleasure of Heath’s company.
Bluebell, who does not have room in her heart for a lover (or so Rose believes), warns her sister that her passion is not only selfish, but also dangerous. Fed up with having her love life dictated by political motivations, Rose ignores Bluebell’s instruction. The price for her disloyalty will be steeper than she realizes.
The zealot.
Fifteen-year-old Willow wants only to be a loyal servant of the one true god Maava. Her twin Ivy disapproves of her piety and the kingdom at large does not recognize the trimatyr faith, but Willow knows these are just trials she must endure. Though she barely knows her father, she is happy to care for him while her siblings leave to find an undermagician who can cure him. Alone with the king and his remaining guard, Willow is visited by Maava’s angels. She knows her destiny now: to become pregnant with the kingdom’s first trimatyr king.
The gossip.
Although she is Willow’s twin, Ivy is truly the youngest of the princesses. Perpetually aware of her royal lineage, Ivy expects to be treated with the respect she feels she deserves – especially by the men who catch her eye. She resents being forced to go along with Bluebell’s attempt to find a cure for her father’s illness, and she’s immeasurably bored. That is, until she meets Heath.
Determined to take him to bed, Ivy can’t understand why he keeps rebuffing her. Despite this, Ivy follows him around with the determination of an infatuated teenager. She comes to realize that Heath’s heart belongs to her sister; her sister who is, in fact, queen of a neighboring kingdom.
Against her wishes, Ivy is sent to bring Rowan home to her father while Rose continues on with Bluebell and Ash. On the long journey back to Folcenham, Ivy considers the valuable information she has gleaned about her sister’s fidelity. What kind of trouble could she cause with this one small fact?
– – –
Daughters of the Storm was pitched to me as ‘a female-centric Game of Thrones’. I’m always wary of comparisons to popular franchises, because I think they’ll inevitably be disappointing. Furthermore, I hadn’t read anything from Kim Wilkins before and didn’t really have any idea of whether she could pull off such a feat. I did, however, attend some of Kim’s lectures when I was a student, so I decided to take up the offer of the ARC.
DotS offers up a palate of political intrigue that is almost on par with GoT, so the comparison is actually not an unfair one. Just like in GoT, there is much contention for the throne, but in DotS, the contenders for the crown are mostly trying to preserve the tentative diplomatic balance that already exists.
What stands out most about Daughters of the Storm is the highly polished characterization. Bluebell is one of the best protagonists I’ve ever read in a fantasy novel, regardless of her gender. When you consider her as a female character…well, she stomps all over her competition. Bluebell doesn’t upend any gender roles, necessarily. She simply doesn’t pay any attention to them. She’s a battle-hardened soldier by choice, covered in sinew and tattoos, and dresses in practical soldier’s garb all of the time. She expects to be referred to as ‘my lord’ instead of ‘princess’ and her sword is rather amusingly named the Widowsmith.
But unlike, say, Brienne of Tarth, Bluebell is not hiding her femininity. It’s actually a part of her, just as much as her tattoos, or her sword. Bluebell is the heir to the kingdom, and she must make the political decisions everyone else is too scared to. As pragmatic as she can be, she does so with a degree of compassion and kindness that belies a feminine nature. In Bluebell, Wilkins has created a leader, a sister, a woman to be scared of – and all without making her an imitation of a man.
The scope of personalities that exist among Bluebell’s four sisters and the rest of the characters are varied and engrossing. The narrative plays out so well because each of the women has her own complex motivation and life story. Through the eponymous Daughters, Wilkins draws the reader into a world where politics matter, but where relationships are more important. She gives us a female leader who is not a matriarch, and not a queen, but a king.
Daughters of the Storm is one of my two favourite fantasy books of the year. It is my favourite Australian book of the year, hands down. If you’re a fan of the fantasy genre at all, I highly recommend this book to you.
It appears this isn’t available yet in the UK – any chance of an update with purchase info as and when possible? Or is this another Publisher issue with Australian books (seems to happen a lot nowadays!)… info appreciated, thanks.
You can buy the print book from the publisher’s website when it becomes available on Nov 1st, pretty sure they ship overseas!
http://www.harlequinbooks.com.au/product/9781488742651
Amazon doesn’t yet have a listing for this in the USA either.
[…] advanced copy, and to Bent Books for sourcing some of Kim’s other books for me. Thank you to Fantasy Faction for sharing this post, and also to Kim Wilkins, for putting up with my fangirling over her […]
Weirdly this book is available in the UK as an audiobook but not a print book.
Does anyone know when it will be released in the UK? I had to pay a ridiculous amount to get it from the Australian publisher. Totally worth it though, but I’m concerned that many of Kim’s UK fans will not get to read this latest masterpiece!
On a facile note, I’m not too keen on the fact this book seems to be being marketed as a romance novel. It really isn’t. The title’s ok although I preferred ‘The Garden of the Mad King’ which I believe was its working title. And the less said about the cover which couldn’t be more removed from the story if it tried, the better.