Three Parts Dead by Max Gladstone
|Book Name:||Three Parts Dead|
|Formatt:||Hardcover / Paperback / Audiobook / eBook|
|Genre(s):||Fantasy / Urban Fantasy|
|Release Date:||October 2, 2012|
Max Gladstone’s Three Parts Dead is fantasy of a different flavor. Instead of taking our world and adding magic (such as Jim Butcher’s Dresden Files or Myke Cole’s Shadow Ops), this is a world born of magic that has progressed to a point that mirrors our modern age. It’s a story of magical corporations and necromancer lawyers.
I bet I’ve got your attention now.
As a first-year associate of the necromantic firm Kelethres, Albrecht, and Ao, it’s up to Tara Abernathy to solve the murder of a dead god and bring him back to life. If she doesn’t, the city of Alt Coulomb will crumble into chaos. Her only chance is to win in court against opposing counsel.
It may seem like a stretch, a fantasy book based on lawyers rather than warriors, but that’s its true beauty. Gladstone managed to write a beautifully clever story. And he did it in a way that made the idea of fantasy lawyers interesting. It’s a novel that tackles important ideas of faith, politics and the privileged while keeping the excitement of magical duels with shadow and nightmare.
It’s unfortunate how uncommon strong female leads are. Fortunately, Gladstone decided to give us two strong female leads in his debut novel. Tara is a prodigal daughter who was graduated from the Hidden Schools just so they could cast her out, from a thousand feet in the air. She’s talented in the use of the Craft and has a sharp, ready whit that’s fun and likable. Her mentor, Elayne Kevarian on the other hand is the cool, detached master of her trade that is always five steps ahead and radiates power and elegance.
Our trio of protagonists is rounded out with the chain-smoking priest Abelard. The last person to be with the god, Kos Everburning, before his death, he’s understandably going through a crisis of faith. It’s through Abelard and his questions that we come to understand the ramifications of the death of his god. To Tara, it’s a client, to Abelard; it’s his purpose in life. Some of the most interesting pieces of prose are in watching this man deal with that loss.
There are a couple of antagonists throughout the book but it was the primary enemy that really caught my eye. It’s a villain you’re trained to hate from the moment you understand his history with the heroines. He’s the crazy yet charming villain we all find ourselves eerily drawn to.
The narrative requires a small buy-in of your time. That is, you’ll have to work a little bit to follow the influx of characters. Gladstone never goes so low as to info dump but he does dive straight into the world and expect you to figure it out and follow along. You shouldn’t worry it will ever be too much though, as the prose includes a healthy dose of fun and freedom that makes it much easier to swallow.
And it’s those moments of fun that strongly resonate. One such moment was the casual mention of Tara cackling loudly as she raised the dead early in the book. It’s a little diamond of self-aware prose that made me fall in love with Tara as a character and Gladstone as an author. That’s without getting into the vampire pirates or the gargoyles that have been exiled from the city yet still leave claw marks in the buildings that are poems to their goddess.
Gladstone struck gold when he wrote this secondary-world fantasy that explores modern society. It features all of the things we love about fantasy in a world that is familiar yet strange. In this book you’ll find echoes of your own life, just with more starlight-fueled magic.